{"id":671,"date":"2025-05-28T19:13:44","date_gmt":"2025-05-28T19:13:44","guid":{"rendered":"https:\/\/zentaurquartett.de\/repertoire\/"},"modified":"2025-05-29T09:15:58","modified_gmt":"2025-05-29T09:15:58","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/zentaur-quartett.de\/en\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"
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\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Komponist*in<\/th>\nWerk\/e<\/th>\nDauer (in Min)<\/th>\nBemerkungen<\/th>\n<\/tr>\n<\/thead>\n
Caio de Azevedo<\/td>\nQuarteto de Cordas no. 1 ‘\u00d4CO’
\nStreichquartett Nr. 2 “Le Sang des Autres”<\/td>\n		6’30
\n12’00<\/td>\n		–
\n–<\/td>\n<\/tr>\n
Arsen Babajanyan<\/td>\nAt Midnight
\nOrnamente und Konstruktionen<\/td>\n		12’00
\n15’00<\/td>\n		mit Sopran
\n–<\/td>\n<\/tr>\n
Michael Emanuel Bauer<\/td>\nErased<\/td>\n14’00<\/td>\n–<\/td>\n<\/tr>\n
Carl C. Bettendorf<\/td>\nIl y a l’Oc\u00e9an<\/td>\n12’00<\/td>\n–<\/td>\n<\/tr>\n
Sandeep Bhagwati<\/td>\nStele for James Tenney<\/td>\n9’00<\/td>\n–<\/td>\n<\/tr>\n
Nikolaus Brass<\/td>\nohne Titel – Music for String Quartet<\/td>\n7’00<\/td>\n–<\/td>\n<\/tr>\n
Roland Breitenfeld<\/td>\nZeitl\u00e4uf(t)e<\/td>\n12’00<\/td>\nmit Live-Elektronik<\/td>\n<\/tr>\n
Carlos C\u00e1rdenas<\/td>\nDi\u00e1spora<\/td>\n6’00<\/td>\n–<\/td>\n<\/tr>\n
Carlos Cipa<\/td>\nString Quartet No. 1<\/td>\n13’00<\/td>\n–<\/td>\n<\/tr>\n
Gloria Coates<\/td>\nString Quartet No. 1 “Protestation Quartet”<\/td>\n6’00<\/td>\n–<\/td>\n<\/tr>\n
Nina Deuse<\/td>\nScratch<\/td>\n9’00<\/td>\n–<\/td>\n<\/tr>\n
Christian Dieck<\/td>\nStreichquartett<\/td>\n5’00<\/td>\n–<\/td>\n<\/tr>\n
Moritz Eggert<\/td>\nEt in Arcadia Ego<\/td>\n16’00<\/td>\n–<\/td>\n<\/tr>\n
Andreas Fervers<\/td>\nBagatelle, in zwei Versuchen<\/td>\n9’00<\/td>\nStreichtrio<\/td>\n<\/tr>\n
Hermann Gottschewski<\/td>\nSatz f\u00fcr Streichquartett<\/td>\n2’00<\/td>\n–<\/td>\n<\/tr>\n
Steven Heelein<\/td>\nStreichquartett Nr. 4 “Bagatellen”<\/td>\n10’00<\/td>\n–<\/td>\n<\/tr>\n
Leo\u0161 Jan\u00e1\u010dek<\/td>\nStreichquartett Nr. 1 “Kreutzersonate”<\/td>\n19’00<\/td>\n–<\/td>\n<\/tr>\n
Narine Khachatryan<\/td>\nDer Geist ruft
\nDiskurs \u00e0 4<\/td>\n		16’00
\n11’00<\/td>\n		–
\n–<\/td>\n<\/tr>\n
Vasiliki Kourti-Papamoustou<\/td>\nString Quartet No. 1<\/td>\n12’00<\/td>\n–<\/td>\n<\/tr>\n
Claas Krause<\/td>\nUkrainian Scenes<\/td>\n9’30<\/td>\n–<\/td>\n<\/tr>\n
Markus Lehmann-Horn<\/td>\nClouds and Fragments<\/td>\n12’00<\/td>\n–<\/td>\n<\/tr>\n
Mes\u00edas Maiguashca<\/td>\nwwiewut<\/td>\n8’00<\/td>\n–<\/td>\n<\/tr>\n
Verena Marisa<\/td>\nunborn<\/td>\n15’00<\/td>\nmit Elektronik<\/td>\n<\/tr>\n
Frank Michael<\/td>\nStreichquartett Nr. 5<\/td>\n17’00<\/td>\n–<\/td>\n<\/tr>\n
Wolfgang Motz<\/td>\nAus Herzen und Hirnen<\/td>\n12’00<\/td>\n\u00a0mit Sopran<\/td>\n<\/tr>\n
Isabel Mundry<\/td>\nNo one
\nLinien, Zeichnungen<\/td>\n		12’00
\n12’00<\/td>\n		–
\n–<\/td>\n<\/tr>\n
Helga Pogatschar<\/td>\nScary Meditation<\/td>\n10’00<\/td>\n–<\/td>\n<\/tr>\n
Elias Praxmarer<\/td>\nPr\u00e4ludium und Fuge<\/td>\n6’00<\/td>\n–<\/td>\n<\/tr>\n
Jacopo Salvatori<\/td>\nPixels<\/td>\n6’30<\/td>\n–<\/td>\n<\/tr>\n
Johannes X. Schachtner<\/td>\nKlavierquintett
\nStreichquartett Nr. 2 “quasi una serenata”
\nStreichquartett Nr. 3 “vor Anker”<\/td>\n		10’00
\n13’00
\n8’00<\/td>\n		mit Klavier
\n–
\n–<\/td>\n<\/tr>\n
Katharina Schmauder<\/td>\nSkin<\/td>\n7’00<\/td>\n–<\/td>\n<\/tr>\n
Mia Schmidt<\/td>\nZwei St\u00fccke<\/td>\n9’00<\/td>\nStreichtrio mit Sopran<\/td>\n<\/tr>\n
Joh. Christian Schulz<\/td>\nMaia (aus: The Pleiades)<\/td>\n2’00<\/td>\nStreichtrio<\/td>\n<\/tr>\n
Jakob Stillmark<\/td>\nStrahlen<\/td>\n12’00<\/td>\n–<\/td>\n<\/tr>\n
Alexander Strauch<\/td>\nH-I-A-S<\/td>\n12’00<\/td>\n–<\/td>\n<\/tr>\n
Germaine Tailleferre<\/td>\nQuatuor \u00e0 cordes<\/td>\n10’00<\/td>\n–<\/td>\n<\/tr>\n
Bernhard Weidner<\/td>\nBruckner-Schemen<\/td>\n12’00<\/td>\n–<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

Stand: 11.03.2024
\nAlle Angaben ohne Gew\u00e4hr.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/pages\/671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/comments?post=671"}],"version-history":[{"count":4,"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/pages\/671\/revisions"}],"predecessor-version":[{"id":675,"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/pages\/671\/revisions\/675"}],"wp:attachment":[{"href":"https:\/\/zentaur-quartett.de\/en\/wp-json\/wp\/v2\/media?parent=671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}